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First shot i've taken that I feel was worth the extra time to photoshop and make perfect, including everything from the Mercedes Benz shoot to the cars stopped in traffic on the West Side Highway. Also what I think is the first shot taken at this resolution of the new Highline Park that's just opened. Definitely the most time i've ever spent working on a single picture...pretty good view from here. Printing as big as I can as well. enjoy! |
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From the pier on Coney Island, July 4th.
1 row of verticals with 300mm f/4 lens, stitched with AutoPano Giga |
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Reshoting with a different camera. The difference is obvious. Here is the one for comparison: http://gigapan.org/gigapans/32339.
I am having a beta-version EPIC which is too narrow to use for some of my cameras, such as the one used for this gigapan, Canon PowerShot SX20 IS. With some DIY modification (or DIM, do it myself, precisely), I made my beta-EPIC functioning as an EPIC100, enabling working with some large cameras and DSRL cameras. This gigapan is one of the results. |
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This is a redo of a previous gigapan, as I found more images that belonged. A few notes on how this was done, and why there are some funky edges on 7x7 image. Kit: Epic 100, Olympus E510, 40-150 lens, 150mm (35mm: 300mm) No tripods are allowed on the Observatory Deck of the Empire State Building, both as a safety requirement and to cut down on photographers heading up there with their view cameras or gigapans on a nice day and hogging all the good corners. :-) This means that you can't use a gigapan, since it is not something that you can hand-hold. Being the ornery person I am, I searched for an alternative. I got around this by using a monopod with base feet, a Manfrotto unit that I had picked up years and years ago and only recently discovered actually had the feet, which are nothing more than steel rods, threaded to fit into screwed sockets at the base to provide a modicum of support. I wrote the corporation that runs the Empire State Building if this was acceptable, but received no answer, so when I was recently in New York, I simply went there. I passed through security with no problem, with the head of security commenting that a monopod was allowable. I then set up the Epic 100 at the top of the Empire State Building on the monopod. While the unit is impressively stable compared to not having base feet at all, it does sway quite a bit if left to its own devices. Hence I made sure to brace the monopod as well as I could, trying to keep the balance centered on the unit, but found that I need a lot more practice to get this down right. Hence I stopped the first one I did (and erased it from the card) and upped the FOV so that I would get a fair amount of overlap to compensate for the swaying of the gigapan, which does generate a fair amount of torque when tranversing rows or columns. So, that's the secret of how to do a gigapan where no tripods are allowed: use something that isn't a tripod, but pretends to be. I am still curious about the lighting on this and the others: the overall balance of the colors looks almost like a tobacco color, which was definitely not the coloration I remember from that day. Will have to see if I can take a closer look at what is driving that coloration... |
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New York City from Port Imperial (Weehawkin, NJ), approximately 2:45pm, November 28th, 2008. |
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April 5, 2009 view from the southwest corner of the Central Park reservoir. |
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Stitched from about 90 photos shot at 300 mm (equiv) with a Nikon D90 using an AutoMate motorized tripod head. |
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As seen from the Fort Lee Historic Park in Fort Lee, NJ. |
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Views of the Brooklyn Bridge, downtown NYC, Statue of Liberty and Pier 17.
Brooklyn Heights Promenade is a favorite spot among locals and tourists. More panorama and pictures on http://www.newyork-city.fr and http://www.gigapixel.fr Shot using: Canon 40d , 300mm f/8 Hand-held photography 203 Images stitched in Autopano Pro 121793x12320 pixels |
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The east side of this roadcut through marble in the Adirondack Lowlands exposes beautiful examples of ductile deformation. |